Louis Armstrong grew up in poverty in a shantytown on the back streets of New Orleans, where basic needs like a full stomach and a pair of shoes were rarely met. “Dippermouth Blues,” composed by Louis Armstrong and his mentor King Oliver, is a number the cornet duo often played together at the Lincoln Gardens on the South Side of Chicago in the early 20s. ensure the integrity of our platform while keeping your private information safe. “Chantez Les Bas” (“Sing ‘em Low”) was one of Handy’s tunes recorded at that session. First and foremost, it should be noted that taking aside his talent for music, Armstrong actually did have some issues with his playing style that was apparent to some of his listeners. Leon Bismark "Bix" Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, jazz pianist, and composer.With Louis Armstrong, Beiderbecke was one of the most influential jazz trumpet/cornet soloists of the 1920s.His turns on "Singin' the Blues" (1927) and "I'm Coming, Virginia" (1927), in particular, demonstrated an unusual purity of tone and a gift for improvisation. IAJRC Journal, 44(1), 10-16. When examining the history behind Beiderbecke, the origin of his interest in music seems to stem from Nick LaRocca and Dixieland jazz from which he originally developed his love for jazz music (Haim, 2011). before he became a musician) that is known to biographers. Evidence of this can be seen in his various solo performances which were lauded as being brilliant, highly exhilarating and possessed a considerable energy all on their own (Lauterbach, 2014). "Louis Armstrong's and Bix Beiderbecke's Jazz Music." Photo courtesy wuftfm.org. Our version this week features New Orleans trumpet star Nicholas Payton sitting in with The Jim Cullum Jazz Band. Louis Armstrong's and Bix Beiderbecke's Jazz Music. Amazon.com. Louis Armstrong, Count Basie, Sidney Bechet, Bix Beiderbecke, Duke Ellington, Dizzy Gillespie, Benny Goodman, Lionel Hampton, Jelly Roll Morton, Fats Waller ‎– Leaders of Jazz Label: RCA Victor ‎– LJ 67101 IvyPanda. “Tiger Rag,” a hit in 1920 for the Original Dixieland Jazz Band, was later played and recorded by both Armstrong and Beiderbecke. Improvisatory Styles and Musical Philosophies. Teachout (2005) goes on further to explain that it is the life experiences of the performer leading up to the moment of the performance that influences how a particular piece is played out and how a performance is done in the first place. It is this lack of range that this paper believes is one of the secondary reasons behind the relative obscurity of Beiderbecke and the popularity of Armstrong. Photo credit for Home Page: Trumpeter Nicholas Payton. IvyPanda. These differences are also evident in the manner in which both showcased their talents as solo performers wherein Armstrong exemplified power, showmanship and a wide range of emotions when it came to his playing while Beiderbecke was more cool and collected, preferring a style that was more melodic, flowing and more in line with what one would expect from jazz (Haim, 2011). Born two years and half a continent apart, Bix Beiderbecke and Louis Armstrong, the two most influential figures in the early history of jazz, emerged as major soloists on the same instrument (cornet) at the same time (early 1924). 1. You can use them for inspiration, an insight into a particular topic, a handy source of reference, or even just as a template of a certain type of paper. Self and Finn . Armstrong with Avakian and W.C. Le jeu de Bix Beiderbecke Le jeu de cornet de Bix Beiderbecke tranchait avec celui de ses contemporains, majoritairement influencé par le style de Louis Armstrong, par son phrasé legato et par une douceur de timbre (un son rond et chaud) qui préfigure ce qui, après-guerre, sera le style cool. He died in 1931 at the age of 28. In 1927, he joined the Paul Whiteman orchestra. For full functionality of this site it is necessary to enable JavaScript. The King Oliver Creole Jazz Band first recorded “Dippermouth” in 1923 with a youthful Armstrong, still a hayseed from the wrong side of the tracks in New Orleans, playing second cornet. Sister Cities: Louis Armstrong’s New Orleans and Stax Records’ Memphis. When comparing the situations of Beiderbecke and Armstrong, it can be seen that both were in vastly different social and political circles which in turn impacted the way in which they expressed themselves through music. We will write a custom Essay on Louis Armstrong’s and Bix Beiderbecke’s Jazz Music specifically for you for only $16.05 $11/page. IvyPanda, 22 June 2020, ivypanda.com/essays/louis-armstrongs-and-bix-beiderbeckes-jazz-music/. Alcoholism and disillusionment were the causes of his death in 1931, at the age of twenty nine. The sound came out like a girl saying “yes.”’, Others have described that Beiderbecke sound as a ‘padded mallet striking a chime,’ or like ‘pearls falling onto velvet.’ Here’s the way I hear it: it’s a fat sound, broader and less strident, darker and more mellow than other cornet players, but it’s not just dark and mellow, it has a hollow ring that sometimes reminds me of a bell. The database is updated daily, so anyone can easily find a relevant essay example. Leon Bismark " Bix " Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, jazz pianist, and composer. How many pages (words) do you need? Bix Beiderbecke's virtuosity and originality with the cornet won admiration from Louis Armstrong and other jazz greats in the 1920s. At least two sources must be from books or journal articles (including jazz magazines like DownBeat or JazzTimes). Under The Light. On the other end of the spectrum, we have Beiderbecke who lived a life of relative comfort and privilege. Need a custom Essay sample written from scratch by In fact, his habit of skipping over notes at times was overshadowed by the sheer “power” of his performance. Taking this into consideration, the sheer power evident in Armstrong’s performances seems to stem from his own part involving poverty and discrimination, whereas the smooth, cool and melodic style utilized by Beiderbecke comes from his own past of privilege. professional specifically for you? Copyright © 2021 - IvyPanda is a trading name of Edustream Web. He took a giant step up in the popular entertainment world when he left the Wolverines to play with the Paul Whiteman Orchestra, then the biggest act in US show business. As explained by Lauterbach (2014), it was often the case that Armstrong actively attempted to incorporate such musical influences into his performances resulting in renditions that were often far from the norm. At a time when the country was completely divided along lines of race, Bix was white and Armstrong black. Armstrong played an important role in the process of development of jazz music. Commentary, 120(2), 65-68. Beiderbecke's polished sound and precise rhythms fit beautifully with the symphonic sound of Whiteman's orchestra. On this broadcast, Jim Cullum and his Band pay tribute to Bix with a series of tunes from the recorded output of his short career. Bix Beiderbecke and Louis Armstrong were among jazz's first soloists. (2020) 'Louis Armstrong's and Bix Beiderbecke's Jazz Music'. Exhibitors. Livraison gratuite (voir cond.). Trumpeter Doc Cheatham recalls, “Everything was Bix Beiderbecke back then. by Gary Craig. Sites: bixsociety.org, bixbeiderbecke.com, Wikipedia, famouscomposers.net. "Louis Armstrong's and Bix Beiderbecke's Jazz Music." sont sur eBay Comparez les prix et les spécificités des produits neufs et d'occasion Pleins d'articles en livraison gratuite! June 22, 2020. https://ivypanda.com/essays/louis-armstrongs-and-bix-beiderbeckes-jazz-music/. Ben Ratliff reviews concert by trumpeter Randy Sandke and others of long-lost music of Louis Armstrong and Bix Beiderbecke at Kaye Playhouse, part of JVC Jazz Festival; photo (M) By then, both jazzmen had come up in the world and were headlining in Chicago—Bix on the North Side and Louis on the South. You are free to use it for research and reference purposes in order to write your own paper; however, you must. This is not to stay that both men are not equally talented in their own way, however, since Armstrong had a much harsher life growing up and developing into who he was, it is not surprising that he was able to present a more powerful presence since through his music he is apparently shouting against the injustice that he had to endure (What a Wonderful World: The Magic of Louis Armstrong’s Later Years, 2011). In New Orleans, jazz had been ensemble playing, with the various instruments weaving their parts into a single and coherent aural tapestry. Share Reply. 3 Kings Of Jazz: The Music Of Louis Armstrong, Bix Beiderbecke And Jelly Roll Morton pas cher En utilisant Rakuten, vous acceptez l'utilisation des cookies permettant de vous proposer des contenus personnalisés et de réaliser des statistiques. "Singin' the Blues" record label courtesy of keepswinging blogspot. According to Yancey(1989), it was against the law to drink … They seem to focus on two different things and this can be the reason…show more content… Louis Armstrong was known for his “hot jazz” while Bix Beiderbecke was known more for his “cool reflective” jazz style. This tended to alter the intended performance of a piece; however, it was the uniqueness that of the music created that drew audiences to him. Here, the track begins with Armstrong’s magnificent solo from the original recording, then crossfades live to The Jim Cullum Jazz Band on stage at The Landing with bandleader Cullum taking the lead on cornet. Retrieved from https://ivypanda.com/essays/louis-armstrongs-and-bix-beiderbeckes-jazz-music/. Bix Beiderbecke, born in Davenport, Iowa, in 1903, is generally regarded as the greatest white jazz cornettist of all time. He wrote about hearing Bix’s cornet for the first time: ‘Beiderbecke took out a silver cornet. Let's see if we can help you! Handy. Offre à durée limitée. We will write a custom Essay on Louis Armstrong’s and Bix Beiderbecke’s Jazz Music specifically for you for only $16.05 $11/page. John Adney. Louis Armstrong beat the odds so heavily stacked against him and had a long, rich life, making contributions in jazz unsurpassed to this day. Armstrong and Beiderbecke would meet again a few years after that initial encounter on the excursion boat in Davenport, Iowa. This is IvyPanda's free database of academic paper samples. Bix first made a name for himself between 1923 and 24, playing with a group of young guys in the Midwest who called themselves the Wolverine Orchestra. In comparison, while Beiderbecke can be considered as an incredibly talented jazz musician, his performances were far more “by the book” as compared to Armstrong. You take a man with a pure tone like Bix and no matter how loud the other fellas in the band may be blowing, that pure tone will cut through it all.”. Witness for the Prosecution. Hentoffian is publishing a book and CD package featuring five mid-'20s lost recordings of Bix Beiderbecke and Louis Armstrong, as well as a 120 page long monograph minutely documenting how this recordings came to be, why and how they were kept from the public for so many decades, the connection of this matter with corporate America, religious and political forces and their merry … Beiderbecke was born into a life of comfort and privilege on … On average, jazz compositions are often altered based on the general “energy” of the audience within a particular venue, the interactions musicians have with each other when it comes to playing and even encompasses the mood of the musician at that particular moment. ), various types of opera music and even Latin American folk songs. (2011). June 22, 2020. https://ivypanda.com/essays/louis-armstrongs-and-bix-beiderbeckes-jazz-music/. Louis Armstrong and Leon Bismark Beiderbecke, known as “Bix,” are the outstanding representatives of the jazz age. The tune was written to cash in on a dance craze of that name in 1913. Les meilleures offres pour THIS IS NEW ORLEANS JAZZ - LOUIS ARMSTRONG BIX BEIDERBECKE - 3 CDS - NEW!! While it cannot be stated with outright conviction that the generally “soft” life that Beiderbecke led resulted in an inferior level of musical talent as compared to Armstrong, the fact remains that their individual social situations did have an impact on how they approached jazz music. by Francis Mosley. Web. On this broadcast, New Orleans trumpet giant Nicholas Payton joins The Jim Cullum Jazz Band to offer their interpretation of this fascinating multi-strain, twelve-bar blues. Portrait of Bix Beiderbecke. Armstrong played “Tiger Rag” nightly for years as a spectacular feature. For example, it was noted that while Armstrong often reached into the upper levels of the register when it came to the tempo and volume of his performances, Beiderbecke rarely did so and was focused more on maintaining a melody that resonated with those of his fellow musicians within an ensemble (Haim, 2011). One interesting aspect about Armstrong is that there is little about this past life (i.e. At a time when the country was completely divided along lines of race, Bix was white and Armstrong black. 22 June. Requirements: Chose one of the three topics below 1,500 word minimum Include a bibliography of at least four sources, not including the textbook. Le jeu de cornet de Bix Beiderbecke tranchait avec celui de ses contemporains, majoritairement influencé par le style de Louis Armstrong, par son phrasé legato par et une douceur de timbre (un son rond et chaud) qui préfigure ce qui, après guerre, sera le jazz cool. Bix Beiderbecke embodied the spirit of the Jazz Age. Teachout (2005) explains that the essence of jazz, when compared to other styles of music, is “different” in the sense that it does not adhere to a certain structure and a way of playing it. Like many other Bix-influenced players, I don’t want to simply copy Bix but I do listen to the Master playing in my head, and sometimes I work to see just how fat the sound can get.”. To prove this, it is important to examine the views of Haim (2011) who delved into the various criticisms leveled against the works of Armstrong and Beiderbecke in order to better understand how the concept of “range” influences the general perception of an audience to a particular musician. If you are the copyright owner of this paper and no longer wish to have your work published on IvyPanda. Haim, A. Des frais d'abonnement s'appliqu When examining the reason behind Armstrong’s worldwide popularity in comparison to the relative obscurity of Beiderbecke, it is immediately obvious that the main reason behind this was due to the fact that Armstrong was willing to take risks when it came to his approach to jazz. Armstrong was born in a time of considerable political upheaval which was characterized by the civil rights movement due to racial segregation that was occurring within America at the time. 301 certified writers online. His combination of a unique talent and a tragically short life won Bix a place in the pantheon of jazz mythology. His playing was soft and lyrical, unlike the “hot” playing of contemporaries such as Louis Armstrong. by Mark Draisey. Unfortunately, your browser is too old to work on this site. Profitez de notre offre spéciale pour écoutez plus de 60 millions de titres n'importe où avec Amazon Music Unlimited. On the surface, Louis Armstrong and Bix Beiderbecke were about as different as two human beings could be. Virginia Quarterly Review, 90(2), 207-211. He was a brilliant improviser on the level of Louis Armstrong, but his cornet had a completely different, almost wistful tone -- one of the reasons he is sometimes thought of as a Cool Jazz missing link. 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Courtesy of landing.com, Text based on Riverwalk Jazz script by Margaret Moos Pick  ©1999, © Stanford University, Stanford, California 94305, Singin' The Blues (Till My Daddy Comes Home). by Stefan Nandancee. Photo in public domain. Answered Nov 28, 2017. John Adney . Drummer Baby Dodds recalled that Bix and Louis first met in the summer of 1920 when the Mississippi riverboat, the S.S. Capitol, pulled into Davenport with Armstrong on board playing cornet with Fate Marable’s Orchestra. Bix was still at his peak in July 7, 1928 when he recorded “Wa Da Da. As a result, he focused more on becoming a musician and eschewed formal education so that he could become a better jazz player. Beiderbecke was born into a life of comfort and privilege on a peaceful, tree-lined avenue in Davenport, Iowa. Learn More. But on the South Side, there was Louis Armstrong, who brought out so many beautiful records that he overpowered everybody.” Saxophonist Bud Freeman said, “Louis loved Bix and Bix loved Louis, of course. Bix Beiderbecke. Bix had returned to Chicago as star soloist with the Paul Whiteman Orchestra and Armstrong remembered Bix’s performance that night, like this:  “All of a sudden Bix stood up and took a solo and those pretty notes went right through me. Bix, on the other hand, had a short, brilliant career. According to many musicians who knew them, they also shared an affection and appreciation for each other’s work. Technologies LLC, a company registered in Wyoming, USA. “Ballin' The Jack,” performed here by The Jim Cullum Jazz Band, first captured Armstrong’s imagination when he heard it played on the streets of New Orleans. “In A Mist” is an extraordinary piano composition Bix wrote in the 1920s; it sounds contemporary today, almost a century later. Kitty, the Teenage Baker. 5). Beethoven, Chopin, etc. It should be noted that Beiderbecke was interested in jazz music to the point that he preferred playing instead of being in school (Haim, 2011). The Jim Cullum Jazz Band pays tribute to Beiderbecke and Trumbauer with their interpretation. Apart from their genius, the musicians Bix Beiderbecke and Louis Armstrong had little in common. From then on he did not receive any formal training and instead taught himself how to play and developed his talent over the years by going to various jazz performances, listening to artists as they played and generally tried to improve on what he heard through his own improvisational style. Bix and Louis had some things in common—they both possessed musical genius, and they both had a passionate, almost religious devotion to jazz. It contains thousands of paper examples on a wide variety of topics, all donated by helpful students. By then, the middle-aged Armstrong was unsurpassed on his instrument and a vital contributor to jazz. Bix and the Wolverines made a famous recording on June 20, 1924 during their last session at the Gennett studio in Richmond, Indiana. Beiderbecke's alcoholism shortened a talented life. Bix and the Wolverines, 1924. Handy, 1954. ”. While his music did reflect the “soulfulness” that jazz was known for and were somewhat altered based on his own improvised style of playing, the fact remains that they lacked the power and range that Armstrong had (Haim, 2011). Musical styles and philosophies of Louis Armstrong and Bix Beiderbecke. Bix Beiderbecke made “Singin' the Blues” famous in a 1927 recording under the leadership of his longtime collaborator, saxophonist Frank Trumbauer. In June 1928 Louis Armstrong made history with a series of recordings for Columbia with his Hot Five, an ensemble that included pianist Earl Hines. IvyPanda. Louis Armstrong echoed the thoughts of a generation when he wrote in his autobiography My Life in New Orleans, “Every musician in the world knew and admired Bix. Publishers Weekly, 258(14), 44-45. Instead, it is more accurate to assume that the core of many jazz performances is the concept of improvisation wherein a performer often interprets a particular type of jazz song in their own way. On the other hand, since Armstrong is known for his inventive and improvisational style of playing, the incorporation of musical influences from different stylistic backgrounds seemed to have been a success since it resulted in renditions that became widely popular. For me, it’s the most beautiful musical sound I’ve ever heard. Born as the son of a wealthy merchant, Beiderbecke really did not have anything to worry about in life since not only was he rich, he was also born a Caucasian during an era where this particular social class had most of the power and influence within the U.S. While it may be true that both musicians incorporated various types of improvisation in their respective interpretations of a jazz piece, Armstrong always seemed to come out on top due to the dynamism and variety of possible tempos he incorporated. Bix Beiderbecke is best known for his lyrical cornet solos but throughout his life he continued to play piano—the first instrument he learned as a boy. Among the most well known and influential jazz musicians of their era were Louis Armstrong and Bix Beiderbecke. The first is that he had a habit of skipping over notes when it came to playing particular pieces and tended to incorporate variances into popular jazz renditions that were far from the norm (What a Wonderful World: The Magic of Louis Armstrong’s Later Years, 2011). The Edge of Evening (Chronology of Disunion) by Sara Pedigo. At the Jazz Band Ball features rare, archival film clips from 1925 to 1933 that showcase a wonderful potpourri of musicians, bandleaders, singers, dancers, and entertainers that characterized the best of the Harlem Renaissance and the Jazz Age. Decades later, in 1954, Armstrong went into the recording studio with producer George Avakian to record an album of traditional blues composed and collected by another pioneer of American music, W.C. '' record label courtesy of keepswinging blogspot Joe Oliver ( Armstrong, Kuke,! It contains thousands of paper examples on a peaceful, tree-lined avenue Davenport! 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